Chilltown Blues Photos: From top left to right, the Chilltown Blue Pigeon at a bird's eye view via a kind of widescreen, walking on cement path with a few petals strewn over it; pigeon in foreground at left, looking at Kei Ito's "Riddle of Peace and War," which alternates between the two lines: wwho will be the next sacrifice for the peace" and "who will be the next sacrifice for the war"; third in top row: Black and white image of pigeon head (figurine) in front of plant growth that looks like it's springing from its head coming from a gravely surface. Middle row, first from left: blue-gray pigeon figurine (with black-striped wing) adjacent to faded blue fire hydrant; center, bust of pigeon figurine, with small hole in neck, in front of nighttime landscape wherein a Christmas tree is across street, with green lights and a section along bottom missing as such; at right, silhouettle of pigeon figurine as two beige globe lanterns loom above in background on gray day; bottom left, black and white of pigeon figurine against large scattered leaves, all in grayscale; cernter, pigeon figure looks in direction of tree as JC building looms in background; pigeon figurine in foreground as mid-ground has stop sign with "FU" grafitti on it, all in dark grayscale.
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The blues as a musical genre is about taking what's hard/oppressive and wielding that into something that takes away some of the power of those things, if only just. As a new calendar year begins, the proverbial blues will certainly be with us. But here’s to making a crossroads out of them.
